Master of Arts
Film + Photographic Preservation
Toronto Metropolitan University
Bachelor of Design
Photography
Alberta University of the Arts
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EXHIBITIONS
2023
I Did My Damnedest, Group show: Paradise Engineering - After All Ends, No New Beginnings. Space Rosa Stern, Munich, Germany
I Am Not a Wolf, Sound work performance, Lothringer 13 Halle, Munich, Germany
Fragments of Sonic Extinction, 8 newly commissioned sound works, co-curated by L. M. Ramsey + Kalas Liebfried, shared with the public through a variety of programmatic offerings including an exhibition, workshop, performances and Radio80000 takeover, ZIRKA Space, Munich, Germany
Junk Anima, single channel audio + installation, ZIRKA Space, Munich, Germany
HyperAcid, collaboration with Kalas Liebfried [DAWN PHASE], RADIO AMNION - Sonic Transmissions of Care in Oceanic Space, radio transmission 2 km deep in the Pacific Ocean
2022
Living Data, Presumed Dead, Critical Distance Gallery, Toronto, Canada.
Ecologies & Cosmologies - Curator: Karina Iskandarsjah
The Air We Share, InterAccess - Vector Festival 2022: Glitch, Toronto, Canada.
Curator: Megan Maclaurin
Cricket Alarm, Fragments of Sonic Extinction, Munich, Germany.
Curator: Kalas Liebfried
2021
Ground, Bio-Creation Station, hosted by MIT Media Lab, USA
2019
From the Archives, Mezzanine Gallery, Robert Frost Library, Amherst, Massachusetts, USA
Co-curators: Tim Pinault, Misha Storm
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TALKS/PUBLICATIONS/RADIO
2023
[T] Galeries Ontario, Digital Art Practices for Galleries and Museums Workshop. Session 2: Collecting and Conserving Digital Art.
Co-Presenter - Patricia Falcão, Time-based Conservator, The Tate, London, UK.
[T] Artist DEEP TALK conversation at Favorit Bar, Munich, Germany
[R] ︎RADIO 80K, Cricket Alarm, Munich, Germany
[R] ︎WGXC Radio For Open Ears, 90.7 FM, New York, HyperAcid [DAWN PHASE]
[R] ︎3FACH Swiss Radio, Junk Anima [DAWN PHASE]
[R] ︎BBC6 Radio, Cricket Alarm, Fragments of Sonic Extinction - hosted by Kalas Liebfried
[T] Subliminals: Human and Machine Pattern Recognition, The Centre for Culture and Technology, University of Toronto, Canada
[T] Fragments of Sonic Extinction, Bio-Creation Station, hosted by MIT Media Lab, USA
2022
[P] Data Data, Artist Zine, Co-published with Art Metropole
2021
[T] Herbivory: Data Sonification of a Forest Ecosystem, Global Community BioSummit, MIT Media Lab
[P] Mobilizing Materiality: The Role of Digitisation in the Preservation of and Access to Berenice Abbott's Acetate Negatives, Archiving 2021 Conference, Society for Imaging Science and Technology
2017
[T] Imaging Abbott: Copy Work as a Negotiation Between Objective and Psychic Realities, Toronto Metropolitan University
2014
[P] Phases of the Moon: A Study of 19th Century Scientific Book Illustrations
Providing a Comprehensive Catalogue for the First Three Editions of James Nasmyth & James Carpenter's The Moon: Considered as a Planet, a World, and a Satellite
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MEDIA
2023
Sound of Life, Exploring the Sounds of Extinction: In Conversation With Kalas Liebfried, July 4, 2023
LIVE REPORT: Fragments of Sonic Extinction, The Quietus, Daryl Worthington, May 16, 2023.
INTERVIEW: Supernova #95/Menti Esplosive. Fragments of Sonic Extinction, Radio Raheem, Michelle Davis, 2023.
2022
Insight: ‘Fragments of Sonic Extinction’, approaches on the extinction of natural sounds, Clot Magazine
2021
Ground, Photo-essay in SciArt Magazine, v. 44
2020
Interviewed by Mishka Henner, online
2019
Interview, Function Magazine #20
Josh Reichmann, Antechamber: L.M.Ramsey’s Points Of Departure, The Luminous Landscape
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RESIDENCIES
2022 ECOLOGIES & COSMOLOGIES, Trinity Square Video, Toronto, Canada
GRANTS / AWARDS
2022 MUSIKFONDS, Die Beauftragte der Bundesregierung für Kultur und Medien
2022 ONTARIO ARTS COUNCIL GRANT, Exhibition Assistance
2015 JUNO AWARD SHORTLIST, RECORDING PACKAGE OF THE YEAR: TIMBER TIMBRE
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TEACHING
2019-2023 Sessional Lecturer, Digital Applications & Collections Management
Film & Photography Master’s program, Image Arts, Toronto Metropolitan University
2018 & 2020 Guest Lecturer, Professional Practices, Toronto Metropolitan University
2015 Guest Lecturer, Digitization Standards, Toronto Metropolitan University
2013-2014 Guest Lecturer, History of Photomechanical Reproduction, Sheridan College
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COMMISSIONED/COLLABORATION
2021 MERCYRY, Music Video for 'Seeyoushine' Album Artwork for 'Out of Body'
2020 MERCYRY, Music Video for 'Glass Machine'
2019 NICOLETTE & THE NOBODIES, Album Photography for 'Devil's Run'
2017 TIMBER TIMBRE, Album Design + Photography for 'Sincerely, Future Pollution'
2016 MARVELOUS MARK, Album Design + Photography for 'Crushin'
2014 TIMBER TIMBRE, Album Photography for 'Hot Dreams'
**Nominated for a Juno Award: Album Artwork of the Year.
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EXPERIENCE
The Image Centre
Digital Asset & Imaging Specialist / Photographic Archives
Edward Burtynsky Studio
Archivist - Research Associate
Elaine Ling Photography
Head Archivist - Digital & Analogue Photographic Collection
Greenpeace Canada
Archivist / Photo Editor
Art Gallery of Ontario
Research Assistant - Print & Photography Collection
Toronto Metropolitan University Film Archive
Archivist / Preservationist
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AFFILIATIONS
Canadian Conservation Photographers Collective
Member of The Society for Imaging Science and Technology
The International Image Interoperability Framework (IIIF) Discussion Group