Master of Arts
Film + Photographic Preservation
Toronto Metropolitan University
Bachelor of Design
Photography
Alberta University of the Arts
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EXHIBITIONS
2023
Fragments of Sonic Extinction, ZIRKA Space, Munich, Germany
Paradise Engineering - After All Ends, No New Beginnings. Space Rosa Stern, Munich, Germany
Fragments of Sonic Extinction, Bio-Creation Station, hosted by MIT Media Lab, USA
2022
Living Data, Presumed Dead, Critical Distance Gallery, Toronto, Canada.
Ecologies & Cosmologies - Curator: Karina Iskandarsjah
The Air We Share, InterAccess - Vector Festival 2022: Glitch, Toronto, Canada.
Curator: Megan Maclaurin
Cricket Alarm, Fragments of Sonic Extinction, Munich, Germany.
Curator: Kalas Liebfried
2021
Ground, Bio-Creation Station, hosted by MIT Media Lab, USA
2019
From the Archives, Robert Frost Library, Amherst, Massachusetts, USA
2016
Parasites/Poisons/Posthumanism, Toronto, Canada
2012
Album/Image/Process, Toronto, Canada
2011
Prismisms, Gallery West, Toronto, Canada
2009
Drive: Anaglyphs, Gallery 371, Calgary, Canada
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TALKS/PUBLICATIONS
2023
[T] Subliminals: Human and Machine Pattern Recognition, McLuhan Centre for Culture and Technology, University of Toronto, Canada
2022
[P] Data Data, Artist Zine, Co-published with Art Metropole
[P] Insight: ‘Fragments of Sonic Extinction’, approaches on the extinction of natural sounds, Clot Magazine
2021
[T] Herbivory: Data Sonification of a Forest Ecosystem, Global Community BioSummit, MIT Media Lab
[P] Mobilizing Materiality: The Role of Digitisation in the Preservation of and Access to Berenice Abbott's Acetate Negatives, Archiving 2021 Conference, Society for Imaging Science and Technology
[P] Ground, Photo-essay in SciArt Magazine, v. 44
2020
[T] Interviewed by Mishka Henner, online
2019
[P] Interview, Function Magazine #20
[P] Josh Reichmann, Antechamber: L.M.Ramsey’s Points Of Departure, The Luminous Landscape
2017
[T] Imaging Abbott: Copy Work as a Negotiation Between Objective and Psychic Realities, Toronto Metropolitan University
2014
[P] Phases of the Moon: A Study of 19th Century Scientific Book Illustrations
Providing a Comprehensive Catalogue for the First Three Editions of James Nasmyth & James Carpenter's The Moon: Considered as a Planet, a World, and a Satellite
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RESIDENCIES
2022 ECOLOGIES & COSMOLOGIES, Trinity Square Video, Toronto, Canada
GRANTS / AWARDS
2022 MUSIKFONDS, Die Beauftragte der Bundesregierung für Kultur und Medien
[35080 EUR]
2022 ONTARIO ARTS COUNCIL GRANT, Exhibition Assistance
[2000 CAD]
2015 JUNO AWARD NOMINEE, RECORDING PACKAGE OF THE YEAR: TIMBER TIMBRE
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TEACHING
2019-2023 Sessional Lecturer, Digital Applications & Collections Management
Film & Photography Master’s program, Image Arts, Toronto Metropolitan University
2018 & 2020 Guest Lecturer, Professional Practices, Toronto Metropolitan University
2015 Guest Lecturer, Digitization Standards, Toronto Metropolitan University
2013-2014 Guest Lecturer, History of Photomechanical Reproduction, Sheridan College
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COMMISSIONED/COLLABORATION
2021 MERCYRY, Music Video for 'Seeyoushine' Album Artwork for 'Out of Body'
2020 MERCYRY, Music Video for 'Glass Machine'
2019 NICOLETTE & THE NOBODIES, Album Photography for 'Devil's Run'
2017 TIMBER TIMBRE, Album Design + Photography for 'Sincerely, Future Pollution'
2016 MARVELOUS MARK, Album Design + Photography for 'Crushin'
2014 TIMBER TIMBRE, Album Photography for 'Hot Dreams'
**Nominated for a Juno Award: Album Artwork of the Year.
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EXPERIENCE
The Image Centre
Digital Asset & Imaging Specialist / Photographic Archives
Edward Burtynsky Studio
Archivist - Research Associate
Elaine Ling Photography
Head Archivist - Digital & Analogue Photographic Collection
Greenpeace Canada
Archivist / Photo Editor
Art Gallery of Ontario
Research Assistant - Print & Photography Collection
Toronto Metropolitan University Film Archive
Archivist / Preservationist
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AFFILIATIONS
Canadian Conservation Photographers Collective
Member of The Society for Imaging Science and Technology
The International Image Interoperability Framework (IIIF) Discussion Group